Venue Stories: an image led way to browse wedding venues

A scroll first gallery view, A/B tested across four markets

Senior Product Designer

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Product strategy, UX, Interaction design, A/B test design, Mobile design

I led the design of Gallery View: a full screen, image led way to browse wedding venues, built as an alternative to the list view for couples still looking for inspiration.

Senior Product Designer, partnering with product and engineering.

I owned:

  • The gallery interaction model: scroll up or down to change venue, swipe for more photos

  • Mobile UI and content card states

  • User flows from both the home and search entry points

  • Aligning the design to engagement and retention metrics

  • A/B test setup across two variants and four markets

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Q3 2025

Q3 2025

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Bridebook

Bridebook

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Live

Live

Enquiry conversion target: 20% → 23%

Favourites target: 33% → 37%

Scroll past 5th result target: 55% → 65%

Week 1 retention target: 19.43% → 20.43%

Why this mattered

On mobile, couples could only browse venues as a list. For lower intent couples still looking for inspiration, that felt transactional: comparing venues took effort and offered little sense of discovery. We believed a passive, immersive way to browse would match their mindset, deepen engagement and create the emotional hook that brings couples back and, ultimately, drives stronger enquiries.

What we set out to achieve

Business Goals

  • Sign up to non concierge enquiry: 20% to 23%

  • Sign up to favourites: 33% to 37%

  • Scroll depth past the 5th result: 55% to 65%

  • Week 1 retention: 19.43% to 20.43%

User Needs

Research and session recordings showed couples:

  • Want inspiration, not just information, early on

  • Engage more when content feels effortless and entertaining

  • Respond to visual formats they know from social media

  • Want to shortlist venues that feel right, not just ones that fit

Design Hypothesis

Couples who use the gallery view will engage more deeply because they:

  1. Can browse without committing to a full profile

  2. Connect emotionally through rich visuals

  3. Have a more enjoyable reason to keep scrolling and return

Could a TikTok style, image led browse lift passive discovery, retention and enquiries, without disrupting high intent flows?

What I learned before designing

Research & Insights

I reviewed TikTok and Reels research alongside FullStory session recordings. Key insights:

  • Short, scroll driven formats increase the sense of discovery

  • Entertainment drives continued use more than information alone

  • Low intent couples respond better to content led formats than to search queries

Information Architecture

Gallery View became an opt in third view on search results, behind a view toggle, with one test variant landing on it by default. List view stayed intact for high intent couples.

What we built, and the limits we built within

A third way to view search results, reachable from home and search. In Gallery View, couples: Scroll up or down to move between venues Swipe left or right for photos, map, reviews and video Tap persistent buttons to view the profile, favourite, share or request a brochure Filter results as usual

Technical

  • Mobile only (90% of users)

  • Four markets: UK, IE, DE, FR

  • Fewer images in DE and FR (FR median 9, UK median 14)

Design

  • A third view that couldn’t disrupt list and map

  • Card design resilient to low image counts

  • Time on card, scroll depth and discards captured for future ML

How it works for the people using it

Vertical scroll: moving between venues

  • Full screen cards for one handed use

  • Up for next, down for previous, like Reels

  • One swipe, one venue

Horizontal swipe: exploring a venue

  • Photos, map, reviews and video in one card

  • Familiar carousel behaviour

  • Content types kept visually distinct

Action buttons

  • Persistent on the right: View profile, Favourite, Share, Brochure

  • Secondary to the content, by design

  • Profile tap opens the full venue profile

Visual design

  • Full bleed imagery for emotional impact

  • High contrast buttons over varied photos

  • Minimal chrome

  • Fits the design system while feeling made for discovery

Radio button component
Checkbox component
Primary colour tokens

The calls I made, and why

1. Vertical scroll between venues. Matches the Reels model our audience already uses, so there’s almost nothing to learn.

2. Full profile on tap. Keeps the high intent path intact. Gallery View is an on ramp, not a replacement.

3. Time on card as a signal. Attention becomes an implicit shortlist, ready for future ML recommendations without asking couples for input.

4. Separate opt in and default variants. Shows whether it works when chosen versus when surfaced; the default tests the strongest version of the hypothesis.

How we proved it

  • Control: list and map views only

  • Variant 1: list view with a toggle to Gallery View

  • Variant 2: Gallery View by default

  • Markets: UK, IE, DE, FR, mobile only

  • Succeeds at: enquiries +3pp, favourites +4pp, scroll depth +10pp, Week 1 retention +1pp

  • Guardrails: enquiry conversion and retention must not drop

Looking back

What worked

  • Passive browsing matched how low intent couples behave: they wanted to browse, not hunt

  • Time on card opened a promising personalisation path

  • The interaction was simple enough to test the core hypothesis cleanly

What I’d do next

  • Build a “For You” feed combining image search, Gallery View and Venue Stories

  • Test native video in cards

  • Close the DE and FR image gap with enrichment or graceful fallbacks

Gallery View tested whether passive, image led discovery could turn low intent browsing into real engagement, and whether that would compound into retention and enquiries.

It meant balancing a strong vision with real limits: thin image libraries outside the UK, a mobile only scope and existing flows that already performed well.

My approach: a clear hypothesis, the simplest testable version, careful instrumentation, and a design ready for what comes next.

© 2026 Anne-Marie Ilesanmi • London, UK

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© 2026 Anne-Marie Ilesanmi

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